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Case study · Fitzroy

A Victorian terrace, re-planned around the light

Property
Two-storey Victorian terrace, c. 1885
Scope
Full-home interiors with a new rear kitchen, bathroom and joinery
Duration
11 months, design to installation
Late sun raking across an ornate Victorian cornice

01

The brief

The house had two rooms at the front that were almost untouched since the 1880s: deep cornices, ceiling roses, marble mantels and baltic pine floors under old carpet. Behind them sat a 1980s lean-to kitchen with low ceilings, little light and a laundry wedged into a corner.

Our clients cook most nights and both work from home two or three days a week. They wanted the back of the house to work hard without the front of the house losing anything. The street frontage sits in a Heritage Overlay, so their architect handled the planning permit for the new rear addition while we designed the interiors throughout.

02

Design decisions

  1. i.

    Restore at the front, stay quiet at the back

    Cornices and roses were repaired by a plasterer rather than replaced, the mantels cleaned and kept, and the walls painted in a breathable limewash. In the new rear addition we kept the detailing deliberately plain, so the old work reads clearly as old and the new as new.

  2. ii.

    A kitchen that steps out of the way

    Oak joinery runs floor to ceiling along one wall and hides the fridge, pantry and a small desk behind flush doors. The island is honed natural marble with a thick edge, and the splashback is cut from the same slab so the veins run through.

  3. iii.

    Front room as reading room

    The second front room became a study and reading room. Shelving was built into the chimney alcoves, and a deep window reveal became a reading corner with a low armchair and its own lamp.

  4. iv.

    Light down the middle of the house

    A skylight over the stair now pulls daylight into the hallway, and the upstairs bathroom was lined in honed travertine, which glows warm in low light and hides water marks well.

03 · Before and after

Concept to completion

Each room was drawn as a pencil concept over the measured space before anything was ordered or built. Drag to compare.

Rear kitchen with oak joinery to the ceiling, a natural marble island and splashback, and a black mixer
Fitzroy terrace, rear kitchen. Drag the handle, or use the arrow keys, to compare the concept sketch with the finished room.

Concept sketch from the design stage, then the finished kitchen. Joinery, island position and pendant heights were all set in the sketch.

Front-room reading corner set into a deep window reveal, with a velvet armchair and side table
Fitzroy terrace, front-room reading corner. Drag the handle, or use the arrow keys, to compare the concept sketch with the finished room.

The deep window reveal was sketched as a reading nook from the first site visit.

04 · Materials

The palette

Five materials, used generously, so the rooms feel calm rather than busy.

  • Pale oak boards with a soft, straight grain

    Tasmanian oak

    Joinery, oiled, crown-cut

  • White marble with soft grey veining

    Honed marble

    Island and splashback

  • Honed travertine tiles in warm beige with natural banding

    Travertine

    Bathroom walls and floor, filled and honed

  • Hand-trowelled lime plaster with soft movement

    Limewash

    Front rooms and hall

  • Close weave of natural flax linen

    Belgian linen

    Curtains and upholstery

05 · Gallery

Around the rooms

Fitzroy terrace is a fictional project (Residential, Kitchens & bathrooms). Photography is from Unsplash and illustrates the kind of work described.

Consultations

Begin with a conversation

A short call about your home, your timing and your budget. If we’re a good fit, we’ll book a consultation in your home, at the studio or by video.

Curved bouclé sofa caught in a band of late-afternoon light